new creation 2019:

“OXY MORON – A CYBORG UTOPIA”

“Resistance is no longer sufficient. We need to turn things upside down, create new contradictions and illegibility.“ – Ch. Schlingensief

Oxy Moron is a play of multiple selves and their constant, seamless shape-shift between fiction and reality, magic and science, present and future. Using the modern day cyborg as a metaphorical narrative that unites both human appearance and machine-like behaviour, the work juggles with stereotypes and challenges different concepts of a perceived norm. Identities, corporealities and social status pass through a precarious transformation between self-empowerment, self-enhancement, self-optimization and self-deformation questioning the significance of the physical and the human in a digital age.

UPCOMING SHOWS

30.03.2019            Showing at Im_flieger with imagetanz

05.06.2019            Tanzhaus Zürich (Premiere)

06.-07.06.2019     Tanzhaus Zürich

03.2020                  imagetanz Festival brut, Vienna

CREDITS

Artistic direction, performance: Malika Fankha
Makeup/Costume/Stage: Valérie Reding
Sound: Dark Euphoria feat. AC/BOY
Lights: David Baumgartner
Photo: Valérie Reding
Coproduction: Tanzhaus Zürich, Brut Wien imagetanz Festival
Residency partners: Workspacebrussels/Kaaitheater (BE), Campo Ghent (BE), Tanzhaus Zürich (CH), im_flieger Vienna (A), Counterpulse San Francisco (USA)

Oxy Moron is supported by Stadt Zürich Kultur, Stadt Wien Kultur MA 7, Bundeskanzleramt Österreich, Nestlé Fondation pour l’Art

Enfin!

The trailer of SAUNA is online. Watch it here.

New creation in the making: Upcoming residencies at Sibiu Casa Do Pombal (April 22nd to 30th, 2018) and Kaaitheater Brussels (May 6th to 31st) hosted by workspacebrussels. Stay tuned.

© Malika Fankha

“Ours is indeed an age of extremity. For we live under continual threat of two equally fearful destinies: unremitting banality and inconceivable terror.” Susan Sontag, The Imagination Of Disaster

Using the modern day cyborg (“A Cyborg Manifesto”, Donna Haraway) as a metaphorical narrative, the work evolves around different notions of human/humanoid/superhuman existence in an age of rapid technological advancement and corporate capitalism. What does it mean to be a physical body in a digital age? Does our mortality just make us vulnerable or does it evoke a precarious optimism in us because it opens up room for ultimate failure? Is our addictive behavior eventually going to lead to our own species’ extinction?

present:

“PISSING EVERYWHERE IS NOT VERY CHANEL”

© Tim Tom

“pissing everywhere is not very CHANEL” – a collaboration between SUPERAMAS & Malika Fankha – will premiere at imagetanz Festival 2017 in the course of the inheritance project.

Preshowing (opening of festival) March 3rd, 2017 at Kunsthalle Karlsplatz

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Full-length version March 21st, 2017 at brut wien.

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How come – despite society’s greater openness and diversity – gender stereotypes are so reluctant to change? The straight, white, middle-class male with a textile phallus around his neck is still ruling the world, most language uses the masculine form as a default setting unless it is clearly pointed out that the opposite is the case. Even in LGBT circles it is common to rely on classical role models and clichés to position oneself in the colorful field of non-conformist individuals.

In her subjective reenactment of SUPERAMAS’ show “Superamas Local” (1999), Fankha deals with the material created by a male body, its male thoughts and actions and works with an expanded notion of identity by blurring, transforming, twisting and ignoring predefined conditions and inherited ideas. The narrative evolves around a manufactured auto-fictional persona whose driving force is shifting seamlessly between personal history, metaphysical theories and customized utopia of everyday life.

Soon starting to work on new project. Public sharing on December 16th.

Check it out!