new work coming up…

AWOL

 

© Malika Fankha

 

In her new production AWOL (Absent Without Leave) Malika Fankha explores the synergies between humans and natures’s mystical creatures. Elves, trolls and all kinds of hybrid forms of living might resemble the human shape yet manage to evade the notion of normativity. Due to their queer and volatile essence they challenge our thinking in stereotypes and dualities and embody the concept of identity as a malleable force. The work questions the hierarchy of corporealities in the physical, spiritual and virtual realms and advocates new ways of coexistence and kindred among species. In Awolonia, a place better than reality, residents are mercurially utopian, they keep secrets, shift shapes, change names, and appear in myriad disguises. They uncover and liberate their desires and torments, transgress boundaries, they slip into and out of dangerous and vulnerable places in an ongoing craving for connection, haunting the liminal spaces between imagined and artificially constructed borders.

 

SHOWS/RESIDENCIES

15.06. – 20.06.2020: Residency at Brunnenpassage Wien (A)

01.09. – 01.10.2020: Residency at SoArt Millstättersee (A)

15.10. – 02.11.2020: Residency at BUDA Kortrijk (BE)

30.11. – 20.12.2020: Residency at Tanzhaus Zürich (CH)

11.02. – 16.02.2021: Premiere and shows at brut Wien (A)

30.04. – 02.05.2021: Shows at Tanzhaus Zürich (CH)

 

CREDITS

Artistic direction, performance: Malika Fankha
Costume/Stage: Ana Rajcevic
Makeup: Valérie Reding
Technical Direction/Lights: David Baumgartner
Sound: Dark Euphoria
Outside Eyes: 
Anna Mendelssohn, Denice Bourbon
Production: mollusca productions
Coproduction: FANKS, Tanzhaus Zürich, brut Wien
Residency partners: SoArt Millstättersee (A), BUDA Kortrijk (BE), Tanzhaus Zürich (CH), im_flieger Vienna (A), Huggy Bears (A), The Artists Are Present, Brunnenpassage Wien (A)

Oxy Moron is supported by Stadt Zürich Kultur, Kanton Zürich, Stadt Wien Kultur MA 7, BMKOES, Austrian Cultural Forum Brussels, ACT OUT (initiated by IG Freie Theater, supported by BMEIA)