© Malika Fankha
A new FANKS production is in the making and will enter its first work phase during a residency at Studio Thor in Brussels in October 2019.
∆ ∆ ∆ Public showings of LMFAO coming up ∆ ∆ ∆
18-10-19 Studio Thor Brussels
19-12-19 Material, Zurich
30-03-20 zurich moves
12-04-20 BUDA Kortrijk
new creation 2019:
“OXY MORON – A CYBORG UTOPIA”
“Resistance is no longer sufficient. We need to turn things upside down, create new contradictions and illegibility.“ – Ch. Schlingensief
Oxy Moron is a play of multiple selves and their constant, seamless shape-shift between fiction and reality, magic and science, present and future. Using the modern day cyborg as a metaphorical narrative that unites both human appearance and machine-like behaviour, the work juggles with stereotypes and challenges different concepts of a perceived norm. Identities, corporealities and social status pass through a precarious transformation between self-empowerment, self-enhancement, self-optimization and self-deformation questioning the significance of the physical and the human in a digital age.
SHOWS
30.03.2019 Showing at Im_flieger with imagetanz
05.06.2019 Tanzhaus Zürich (Premiere)
06.-07.06.2019 Tanzhaus Zürich
09.11.2019 Swissnex San Francisco
03.2020 imagetanz Festival brut, Vienna
CREDITS
Artistic direction, performance: Malika Fankha
Makeup/Costume/Stage: Valérie Reding
Technical Direction/Lights: David Baumgartner
Sound: Dark Euphoria feat. AC/BOY
Outside Eyes: Anna Mendelssohn & Simone Aughterlony
Photo: Valérie Reding
Production: FANKS, Sophie Schmeiser, Eva Holzinger
Coproduction: Tanzhaus Zürich, Brut Wien imagetanz Festival
Residency partners: Workspacebrussels/Kaaitheater (BE), Campo Ghent (BE), Tanzhaus Zürich (CH), im_flieger Vienna (A), Counterpulse San Francisco (USA)
Oxy Moron is supported by Stadt Zürich Kultur, Stadt Wien Kultur MA 7, Bundeskanzleramt Österreich, Nestlé Fondation pour l’Art and the Swiss Embassy in Vienna
Sept 21st, 2018
New season, new production! Stoked to announce the upcoming collaboration with performer & makeup artist Valérie Reding and an unbeatable team at Tanzhaus Zürich and WUK performing arts Vienna. Here is a tiny sneak peek from our first session…
Also, we would like to thank our residency partners for supporting us throughout the process: im_flieger, Vienna, Tanzhaus Zürich, Campo Ghent, Counterpulse San Francisco, Workspace Brussels & Kaaitheater Brussels, Sibiu Casa do Pombal, Portugal
© Valérie Reding (styling, video)
New creation in the making: Upcoming residencies at Sibiu Casa Do Pombal (April 22nd to 30th, 2018) and Kaaitheater Brussels (May 6th to 31st) hosted by workspacebrussels. Stay tuned.
© Malika Fankha
“Ours is indeed an age of extremity. For we live under continual threat of two equally fearful destinies: unremitting banality and inconceivable terror.” Susan Sontag, The Imagination Of Disaster
Using the modern day cyborg (“A Cyborg Manifesto”, Donna Haraway) as a metaphorical narrative, the work evolves around different notions of human/humanoid/superhuman existence in an age of rapid technological advancement and corporate capitalism. What does it mean to be a physical body in a digital age? Does our mortality just make us vulnerable or does it evoke a precarious optimism in us because it opens up room for ultimate failure? Is our addictive behavior eventually going to lead to our own species’ extinction?
New show coming up! SAUNA premieres
Jan 12th and 13th, 2018
at WUK
Get your tickets, let’s sweat!
#spokenword #dance #performingarts #music
“SAUNA” is a meta-fictional reflection about identity, cohabitation and survival stragegies. Told from the perspective of an unborn child inside a womb it questions the reliability of narration, juggles with knowledge and facts that are largely obscure and thus suggests a new metaphorical Virtual Reality. The obsessive personality of the prenatal storyteller is driven by an unconditional claim for self-determination while at the same time being tied to this other body via the umbilical cord, a symbol of pure dependence and connection. Contemplating dystopian future scenarios, witnessing the trivia of everyday conversations or indulging in excentric navel-gazing, the tale evolves around the contradictions and promiscuity that shape our lifestyle: the either radically intimate or radically superficial.
Residency Partners: ImPulsTanz Festival, Cullberg Ballet Stockholm (SE), Life Long Burning, CAMPO Ghent (BE), Dampfzentrale Bern (CH).
© Maria Ritsch, 2017
HOT NEWS FOR THE COLD SEASON: The new solo “SAUNA” (supported by Huggy Bears, Superamas) is in the making and will premiere on January 12th, 2018 at WUK Vienna. We are happy to announce the following residency partners: ImPulsTanz Wien, CAMPO Ghent, Life Long Burning hosted by Cullberg Ballet Stockholm, Dampfzentrale Bern.
“SAUNA” is a meta-fictional reflection about identity, cohabitation and survival stragegies. Told from the perspective of an unborn child inside a womb it questions the reliability of narration, juggles with knowledge and facts that are largely obscure and thus suggests a new metaphorical Virtual Reality. The obsessive personality of the prenatal storyteller is driven by an unconditional claim for self-determination while at the same time being tied to this other body via the umbilical cord, a symbol of pure dependence and connection. Contemplating dystopian future scenarios, witnessing the trivia of everyday conversations or indulging in excentric navel-gazing, the tale evolves around the contradictions and promiscuity that shape our lifestyle: the either radically intimate or radically superficial.
May 23rd
Premiere of “Cars Do Not Fly”
a film by Alexander Kasses
www.dieangewandte.at
June 12th
opening performance Art Basel
by Maureen Kaegi
www.artbasel.com
June 12th – June 21st
Artist in residence at Tanzquartier Vienna
www.tqw.at
July 13th – Aug 13th
Artist in residence at ImPulsTanz Festival
www.impulstanz.com
July 26th
Dark Euphoria DJ and Live Set at ImPulsTanz
www.impulstanz.com
Aug 20th – Aug 31st
Artist in residence at WTKB Vienna
www.wtkb.org
present:
“PISSING EVERYWHERE IS NOT VERY CHANEL”
© Tim Tom
“pissing everywhere is not very CHANEL” – a collaboration between SUPERAMAS & Malika Fankha – will premiere at imagetanz Festival 2017 in the course of the inheritance project.
Preshowing (opening of festival) March 3rd, 2017 at Kunsthalle Karlsplatz
RSVP on FB
Full-length version March 21st, 2017 at brut wien.
RSVP on FB
How come – despite society’s greater openness and diversity – gender stereotypes are so reluctant to change? The straight, white, middle-class male with a textile phallus around his neck is still ruling the world, most language uses the masculine form as a default setting unless it is clearly pointed out that the opposite is the case. Even in LGBT circles it is common to rely on classical role models and clichés to position oneself in the colorful field of non-conformist individuals.
In her subjective reenactment of SUPERAMAS’ show “Superamas Local” (1999), Fankha deals with the material created by a male body, its male thoughts and actions and works with an expanded notion of identity by blurring, transforming, twisting and ignoring predefined conditions and inherited ideas. The narrative evolves around a manufactured auto-fictional persona whose driving force is shifting seamlessly between personal history, metaphysical theories and customized utopia of everyday life.
